Peter van Cooten runs the excellent Ambientblog website which has great reviews and, of course, wonderful mixes. Anytime Peter reaches out with a mix idea or a a set he'd like to cross-post on both of our platforms, I will always jump at the chance.
As I said on Peter's last guest mix, his sets are different from mine in that they are more intricate. He does not use full tracks, instead opting for excerpts and samples piled on each other, sometimes 2, 3, or 4 tracks play simultaneously, to create a new sound collage.
Here's what Peter says about this mix:
"Apart from its opening sample – ‘It is time to stop seeing. It is time to stop speaking. It is time to listen’, from David Cronenberg’s Crimes Of the Future – this mix has no central theme or story. It’s up to you, the listener to take the time to listen and go with the flow. Let your fantasy tell you the story. And, after you did, I’d love to hear what you heard.
This mix is created using many fragments and samples from longer pieces of music, often presented in multiple layers. Check the original compositions using the tracklist below."
Here's a map of the mix, layer upon layer of the 31 tracks used in the collage.
Check out Peter's work here:
https://www.ambientblog.net/blog/ He also does surround sound mixes, which you can find here: https://www.ambientblog.net/blog/the-surround-mix-versions/
And Peter is on Mixcloud - https://www.mixcloud.com/ambientblog/ https://www.mixcloud.com/DreamScenes/
3 comments:
Fantastic mix!! Thank you
Thanks for checking out the mix!
Re: "...his sets are different from mine in that they are more intricate. He does not use full tracks, instead opting for excerpts and samples piled on each other, sometimes 2, 3, or 4 tracks play simultaneously, to create a new sound collage."
Although PVC's approach is more laborious, the results are much more interesting and less legally perilous.
One draw of a mix is that one hears something interesting they won't hear listening in the original tracks. Another is, if one doesn't like the current track, they don't have to wait long for it to change. Mixing full length tracks pre-empts what is most liked about mixes.
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