s o l a c e
g a t h e r s t h e s i l e n c e
o f t h e s e a
Anyone who has followed this mix blog for more than a minute knows I like sea themed mixes. I like the ebb & flow, the washes of synth sounds and especially echoing sounds, like a bell or buoy pinging in the distance or underwater echolocation.
So this mix continues that vibe. Lots of new music and lots of echolocation.
Here are links to all the music used in this mix in the order in which it appears:
Cheers!
T R A C K L I S T :
00:00 Submersion - Alignment (Parallel Motion 2020)
02:25 xu - a1. slicing space-time into objects (slicing space-time into objects 2022)
06:25 Moss Covered Technology - Brick & Air VI (Brick and Air 2022)
09:40 Spheruleus - The Ocean Yawns (Sub-Aquatic Spheres 2020)
14:18 Gylden - Bug light (Island Friend 2022)
18:55 A Produce - It comes in waves (A Smooth Surface 2004)
25:45 Taylor Deupree - Harbor (Harbor 2022)
29:20 ASC - Kelp Forest (The Waves 2019)
35:45 landtitles - fragments(of) (as the night comes softly down 2022)
37:20 Taylor Deupree - Too Close To Being Far Away From Everything (The Inland Sea 2022)
45:50 Jeff Greinke - Undercurrent (Noctilucent 2022)
52:15 ASC - Nautical Depths (The Waves 2019)
59:53 end
1 comment:
Congratulations on a masterpiece mix. It is a worthy successor to "Ocean Echoes" (May 2017), the standard by which all sea mixes are judged. Like Echoes, it stays within its discipline but is a little more adventurous, more diverse, but keeping that satisfying relaxation effect -- sort of like an alka seltzer for stress. This style fully supports the full length track usage you have adopted as a standard now. You definitely excel in this genre, I can't stop listening to it. Keep up the good work Dave.
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